The Audain Art Museum is an iconic 55,230-square-foot museum that houses a unique collection of British Columbia art in Whistler Village.
The Audain Art Museum has one of the world’s finest collections of old First Nations masks, an exceptional collection of Emily Carr paintings, works by some of Canada’s post war artists—including Jack Shadbolt, E.J. Hughes and Gordon Smith—and also works by other internationally famous contemporary artists.
"My wife Yoshi and I built this museum as a home for our art. Being a homebuilder, that is the way I look at it. I have spent 40 years collecting the art of this province, not originally with the idea of building an art museum, but simply because Yoshi and I cherished the privilege of living with the rich visual artistic heritage of British Columbia, the land we have come to love," said Michael Audain.
"The creation of an art museum is consistent with long-term plans to build cultural tourism in Whistler. This project provides a significant opportunity for both the Audain Art Museum and the resort community with the potential to enhance the visitor experience and to continue to build on Whistler’s reputation as a destination for recreation, arts, and culture," said Whistler Mayor Nancy Wilhelm-Morden, a member of the Museum's board of directors.
Visit the Audain Art Museum website.
Painting from the Audain art collection: Emily Carr, War Canoes, Alert Bay
First Nations mask from the Audain art collection: Kwakwaka’wakw Artist, Human Face Ridicule
The Audain Art Museum is incoporated under the Canada Not-for-profit Corporations Act and is a registered charity. Michael Audain has committed to raising $25 million for an endowment fund, through the Audain Art Museum Foundation, to ensure the museum's long-term financial stability. Investment income from donations to the endowment fund will provide operating funds. The museum alsos generate revenue from various sources including admissions, memberships, programs, facility rentals, retail, fundraising, sponsorships, government grants, and foundation grants.
The Audain Art Museum houses one of the world's most important collections of Northwest Coast First Nations masks, more than 24 Emily Carr paintings, coastal artist E.J. Hughes' paintings, as well as art by some of Canada’s most significant post-war modernists, including Jack Shadbolt and Gordon Smith, as well as works by internationally collected contemporary artists such as Jeff Wall, Rodney Graham, Stan Douglas, Geoffrey Farmer, Robert Davidson, Brian Jungen, and others.
In November 2013, Emily Carr’s 1928 painting The Crazy Stair was sold to museum for $3,393,000. This was the highest amount ever paid at auction for an Emily Carr, as well as being the highest amount paid for a work by a Canadian woman artist, and the fourth most expensive sale at a Canadian art auction. Michael Audain and Yoshiko Karasawa have donated their important collection of over 20 paintings by Carr.
Canada’s finest collection of E.J. Hughes paintings is also housed at the Audain Art Museum. 15 paintings from Jacques Barbeau and Margaret Owen’s collection of 80 works by the B.C. artist where donated in October 2014, and are exhibited along with 4 from Michael Audain. The collection is on permanent display in the Barbeau Owen Gallery.
The permanent collection is housed in a 10,100-square-foot gallery space and temporary exhibition galleries occupies a 8,100 square foot space.
The museum is a Class A museum, which means it meets international humidity and temperature control standards (HVAC) and secure protection for the art.
The 1.22-hectare museum site is part of an 11.9-hectare land parcel between parking Lots 3 and 4 across from Maury Young Arts Centre (formerly Millennium Place) in Whistler Village.
The land is owned by the RMOW, and was acquired from the Province in 2001 pursuant to Sponsored Crown Grant with the requirement that the site be used for park purposes. The operation of a public art gallery museum and ancillary uses is consistent with the park purposes.
The site is located near other cultural facilities such as Maury Young Arts Centre and the Squamish Lil’wat Cultural Centre. It is bordered by parking Lots 3 and 4 on the north and south, Blackcomb Way on the west, and the parking connector road on the east.
Construction and Design
The building is surrounded by forest and the area adjacent to the museum is a meadow and sculpture garden.
A foot bridge links the museum to Blackcomb Way. The building was raised significantly off of the ground to address flood plain issues, giving a feeling that it is “floating” on the site.
In the fall of 2012, the Audain Foundation and Whistler Mayor Nancy Wilhelm-Morden first discussed the possibility of constructing a world-class art museum to house the Audain art collection, which was a major exhibition at the Vancouver Art Gallery in 2011. Site preparation and construction began in September 2013 less than a year later. The Resort Municipality of Whistler (RMOW), the Audain Foundation, Patkau Architects and others worked together to make the project a reality. The museum opened to the public on March 12, 2016.
Memorandum of Understanding
On December 18, 2012, Whistler Mayor Nancy Wilhelm-Morden and Michael Audain signed a Memorandum of Understanding (MOU) to formalize the relationship between the RMOW and the Audain Art Museum to proceed with the project.
Following the signing, the non-profit organization Audain Art Museum was created to develop and operate the museum, Patkau Architects were hired, and the feasibility of the use of the land for the project were confirmed.
Zoning Amendment Bylaw
During the January 22, 2013 council meeting, Whistler council authorized municipal staff to begin a rezoning application and prepare a zoning amendment bylaw for municipally-owned lands for the development of the proposed Audain Art Museum and auxiliary uses on the site.
A public open house for the Audain Art Museum rezoning application was held on January 30, 2013 at Maury Young Arts Centre (formerly Millennium Place). Community members had the chance to see the plans for the proposed site, building design and other project details. The rezoning proposal was reviewed by the Advisory Design Panel committee on January 30, 2013.
On February 19, 2013, Whistler council gave first and second reading to the zoning amendment bylaw. A public hearing was held on March 5, 2013, which received support from the public, and the bylaw received third reading on March 5, 2013.
On April 16, 2013 council adopted Zoning Amendment Bylaw (Art Museum) No. 2023 to rezone the lands to accommodate an art museum and specified auxiliary uses with a maximum gross floor area of 4,000 square metres. On the same day, council approved the development permit for the development of an art museum totaling 3,640 square metres in gross floor area. The municipality’s Advisory Design Panel reviewed the proposed design twice during the rezoning and development permit process.
On May 7, 2013, the Audain Art Museum announced plans to expand the art museum to 5,131 square metres of gross floor area, necessitating another rezoning process to allow for the additional gross floor area. A second development permit was also required.
On May 19, 2013 the Advisory Design Panel (ADP) reviewed and supported the expansion plans.
A revised zoning amendment bylaw and development permit for the Audain Art Museum were approved by council at the July 2, 2013 council meeting.
On July 16, 2013, council authorized the RMOW to enter into a 199-year ground lease, a green space license, and roadway easement with the Audian Art Museum. See the July 16 presentation to Council.